"Welcome to the Party, Pal!"
Ah, what can I tell you? Work sucks, Bond is back,
got to chill in San Diego for a weekend for Aaron’s Cali
reception with him and K.C., the videogame magazine that’s
supposed to be carrying the Nice Guy (and paying us) has had its
first issue delayed, but at least that whole arrangement got Tim
and I back to doing the Nice Guy site updates again, so that’s
a good thing (damn, that reminds me…I have to come up with
a New Year’s strip FAST. I’m stumped!).
I’m having ZERO luck with tech these days!
First, my TiVo started going bad. It started kind of freezing
up and going to this “powering up, please wait” screen
that it would never leave until I unplugged it from the wall.
As I can’t really afford another TiVo unit (nor the expense
and bother of hacking it and putting in a much larger hard drive,
like with my existing one that I could save over a hundred hours
of stuff on), I finally had to let it go and give in to the cable
company DVR unit. Which really is a good thing. Less recording
time means I can’t let whole seasons of shows stack up anymore,
so I’m forced to actually watch stuff again (you’d
think that wouldn’t be too hard with my having all of 3
shows that I’m down to). Plus, it records the HD stuff,
and since I have an HD cable box and an HD TV, might as well be
getting the most of it. Having to run the cable through the TiVo
was taking the quality down anyway. So I’m finally getting
full performance out of my HD, so I’m cool with it.
And then the computer. Ye…gods. My PC is already
a slow piece of crap. My laptop’s not much better, but now
my battery in it is completely dead and won’t take a charge,
so I have to keep it plugged in to use it, which kind of defeats
the purpose of having a laptop. But right with speeding up on
both Nice Guy and ‘Times deadlines, all of a sudden my PC
started making a lot more noise. I thought it was the hard drive.
So THAT’s a nice moment of panic. I did back up all my docs
on DVD…back in JULY. A lot of stuff to be lost between then
and now. So, as I’d been meaning to, I was forced to run
out and get myself a 150g external hard drive. In case the hard
drive WAS about to go, I wanted to have things backed up, and
backed up regular (I could have just gotten a new internal, but
there’s no way I have the time to mess with a whole O/S
reinstall and software reinstalls and all that crap). So I got
it home, tried my PC…and it turned on okay. Whew! Plugged
in the external, started coping my whole “My Documents”
folder over. That went well for about two or three minutes. And
then…BAM! My computer suddenly blew. Like, with sparks.
D’oh! Guess the strain of one more device on what apparently
is a pretty weak power supply was too much. Greeaaaat. So the
next day I was BACK at Best Buy (night before Thanksgiving, by
the way) after work, buying a new and bigger power supply. Okay,
it is NOT easy for me, let me tell you right off, to do anything
with my PC. It’s just in a bad spot, attached to the desk
on its own shelf, backed up to the wall, stuff all around it…
I managed to somehow get all the cables unplugged (by feel only)
AND not let them fall behind the desk where I’d never get
them. And I managed to get the PC down without dropping it and
get it to the floor, where I got it open and went to work getting
the old power supply out (I didn’t know I only had a 300
watt one in there…), which, if you’ve ever done it,
is a lot of fun, because there’s cables going from it to,
like, every other component in the box, and you have to remember
where everything went, etc. So made it happen, but then had a
question I needed answered, and I called A.T. A.T., in turn, wanted
to come over real quick after putting his kids to bed and put
it all together for me. As much as I DIDN’T want to drag
the man away from his family the night before Thanksgiving? MAN,
am I glad he came. He had it all back together and going for me
in, like, 20 minutes, something that would have taken me probably
three hours. What a guy!
But the computer’s still making noise, and
it looks like, after all, it’s the fan on the CPU. I’ve
never actually replaced one of those before… But I’ll
probably have to. But hopefully not until after the holidays.
I already spent too much Christmas money putting this thing back
together again and making the world safe for new Nice Guy updates
and CTO issues… But the silver lining here is that I finally
got around to getting a backup drive, so all my stories and MP3s
and pictures and art are now safe from computer Armageddon.
And get this. So I’m, like, sitting on my
couch putting together some Nice Guy mailings one Sunday, playing
a DVD in the background. I go to pause it, and my DVD remote’s
not working. Weird. So I reach for the other remote that runs
the sound system to mute it. IT doesn’t work. Huh? I reach
for the TV remote. Nope. Not it either. Finally tried the cable
remote. Nada. As the young folks say…WTF? (Would they be
ROTFL if they heard me using it?). So I went right up the cable
box with that remote…and it worked, but only, like, a foot
away. And it was the same thing with ALL of them. These are four
different components! How does THAT make any sense? I thought
maybe I had set some of my packing stuff on the remotes, and might
have drained the batteries. The next day, however, I decided to
try them again. Two of them were now working. Two were still only
working a foot away. So I got new batteries. Didn’t change
a thing. But the following day? Suddenly all four started working
fine. What the hell?! Was there some kind of unauthorized nuclear
testing going on in my neighborhood I didn’t know about?
Did the Saoshyant invade again (Forte joke…)? Oh, well.
Silver lining here? New batteries in all the remotes. Don’t
have to worry about that for a long time. Especially as little
as I use the TV.
And to top it all off? For no particular reason,
the switch on my alarm clock broke. Now it’s stuck, permanently,
in “alarm” mode. You can’t turn it off. You
can only hit snooze. And then reset the alarm time when you get
up to stop it from continuing to go off. Yeah, I could just get
another alarm clock, and I’m sure I will, when I can find
the time. But this silver lining is that I’d gotten too
used to just turning the alarm clock off in the morning, so this
is forcing me to use the snooze again, which is a better thing.
I’m in a very silver lining kind of place right now. Can
you tell? But seriously, when did I suddenly become Sam Neil in
Jurassic Park?
Ah, well. Enough of my tech woes and my “real”
life. On with my dork life!
This Time Around
Yes, no Forge. Again. And no new Forte 2000 issue.
Again. However, there was a better reason this time, at least.
WINDJAMMER IS BACK!!!
Yes! I’m as shocked as you are! I don’t
know, really, how it came about, but all of a sudden I just got
this feeling that if I didn’t get back to it soon, I just
never would. I started re-reading and re-editing the old chapters
over time, as I wanted to get the site, at least, finally up to
date, and I started getting a Windjammer art piece here and there
to further inspire me. And inspire me it did. Because you have
got an all-new, really large, LONG overdue Windjammer chapter
right there at the tip of your mouse arrow, ready to go.
First of all, I’ve been wanting to get the
site updated for a long time, and get ALL the Windjammer chapters
up there (only one through five were available online). Plus,
the tales needing a little editing, both for content and format
(for some reason the translation from FrontPage to Dreamweaver
jacked up the formatting on the tales). So that’s all done,
and they’re all available, and reading through all those
again, as I’d hoped, got me jazzed to get back to the YEARS-old
dangling Hollywood storyline. I couldn’t let poor K.C. carry
a whole universe on his shoulders all alone!
I could put up individual links to stuff, but why
don’t you just go to the main
page and click around and check everything out? There’s
little (some not too obvious) changes throughout, and you KNOW
you haven’t been back in a long time, so it’ll all
be like new to you anyway. Like the new logo? I felt Windjammer
needed one.
The one very obvious change is the new Gallery page.
I took all the art I had and grouped it by artist, and added several
new pieces as well. I figure the relaunch of the site deserved
some new goodies. Check it out! I’ll even make that link
up there open up in a separate page so you can read this and keep
jumping over to it…
First of all, you’ve got your classic Ben
pieces from back in the day, in case you haven’t seen ‘em
in a while. Always fun, the Ben art, and great memories go with
‘em. Next, I got three new pieces for the world of Windjammer
from now-famed Forte artist David Enciso. First, I got him to
do Delight (no-brainer there). Wow. He really nailed that character,
I felt (hey, keep those juvenile comments to yourself…).
Something about her face, the look there…both beautiful
and dangerous. And I like what he did with the color scheme a
lot (I’d never seen her in color before…and had just
described her costume as white. I wouldn’t have thought
to use that blue, and I’m glad that he did). Great stuff.
Then I thought, since we’d never gotten to see Earth Angel
(from Chapter 3), I’d let him figure out what the mystery
winged woman looks like. Um…good? I like how he saw her.
So I thought I’d let him try the character of Baikal, too.
And I gave him the description from the stories. Small, shy 16-year
old Russian girl, very timid, big eyes, wearing just a man’s
shirt (her long-gone father’s) that’s too big for
her. I feel a sigh coming on. Okay. Does that LOOK sixteen to
you? If sixteen-year old girls looked like THAT, I would STILL
be flunking out of high school to this day. :) And does that shirt
look too BIG to you? All in the eye of the beholder, I guess (and
if you’ve seen David’s Forte women shots, you know
how he often “beholds”). :) So maybe we’re kind
of getting to see what Baikal would look like at, say, 26…
Or maybe 36…
Speaking of Baikal…I decided to pull in Timm
Gillette, a guy who’s done some fun stuff on the Forte gallery
before. All his women end up looking like teenage girls anyway,
so I figured he’d be able to come a bit closer to what I
was seeing. And he mostly did. Still looks maybe a little younger,
but he definitely got the eyes right. And a beautiful piece of
work, too. Though I’m getting the feeling that if I start
getting any more Baikal shots, Chris Hansen and “Dateline
NBC” are going to start monitoring my computer for one of
their specials…
Some more of the old art is up there, including
the addition to this gallery of the beautiful Phil Miller ConTinuum
group shot K.C. gifted us all with back in the day. Got my Jeff
Moys all grouped together. I don’t think I’d had the
last two Delight ones up before. I like the last one (the more
facial one) especially because…well, it was free. :D He’d
started a shot of her and it went wrong below the elbows and he
gave up and started over, so he just gave me that one, so I just
scanned the part he’d finished. Got the old A.T. art up
(don’t think his original Baikal was ever posted before.
Closer…definitely got the hair right, for sure, though she’s
still a bit taller than I’d imagined. And always good to
see the classic WJ #3 ‘Times ad up there with the big smooch).
Got the Tim art going (both the very first WJ ad and the original
Delight design he did that the others are based on).
And put my man Mr. Webb on the job. As always, Eryck
amazes and delights. You’ve seen the Hollywood flying Windjammer
and the first Americana/WJ shots before (last Christmas, I believe).
Everything else is new. I LOVE the airplane flyby shot! Look at
that kid’s reflected eye…that’s just the sense
of wonder I was hoping for. I got him to do another Delight and
Windjammer smooch (specifically for the new chapter). And I felt
the need for a non-romantic shot…I wanted to see AC and
WJ palling around together. Something about K.C.’s tale
that had AC buying a soda from a vendor gave me the idea. I could
totally see these two kicking it on a rooftop, laughing and talking,
having a couple of Cokes. And now, thanks to Webb, I CAN see it.
I also let him jump in and design Anthem’s costume, since
I’d never gotten around to doing that, and I think it turned
out real well. And I also put HIM on the Baikal job. He, however,
read my description (small girl, father’s shirt that was
too big for her) and went to work, and when he finished, read
it again and said “oops” and had totally missed the
part about her being sixteen. Which I thought was great, because
down the road you’re going to be seeing some Baikal flashback
stuff, and now I can totally see what she looked like at that
age. A fortunate error. Hey, can you hang on a sec? Chris Hansen
is at the door with a camera crew…
Ah, but the whole point of the art is to get people
to read the STORIES…and now they can read ‘em all.
Which, by the way, I invite you to do as well. It HAS been like
seven years since the last chapter left off, and what, over ten
since the first one? Of course, that’s a LOT of reading,
and if you DON’T have that kind of time or desire, and want
to read the new chapter but don’t want to be totally lost
(who’s this “Jerry” guy again?), I’ve
got a compromise for you. If you’ll look at the Chapters
page, just before the start of #9, you’ll see a “The
Story So Far” link. Wrote up a summary (and this being me,
the summary is no short read, either, but it’s a lot shorter
than eight chapters of my rambling) of all the stuff that’s
happened up ‘til now…and put it in chronological order,
too (much of the backstory of Windjammer came in Chapter Four,
for example). So that SHOULD get you back up to speed, and ready
for…
Chapter Nine – Shane and Jerry’s Excellent
Adventure, Act Three – “Hollywood Nights”.
Try fitting THAT on a marquee.
This chapter was actually started years ago, and
has been sitting for a LONG time. I finally dusted it off and
got back to it. As you might recall (or realistically might not),
Shane and his roommate Jerry had been flown to Hollywood for the
holidays (hey, it’s a holiday chapter in our Christmas CTO
issue. Sweet!) by Hollywood legend Terrance Cross, for a celebrity-style
vacation, where Terrance could further convince Windjammer to
let him “manage” his career. So when the ‘Times
went under in 2000, the boys were left (in luxury, at least!)
in L.A., with a lot of major decisions happening for them both.
So we now jump back into the middle of that…right where
we left off…and Windjammer flies once more. I, for one,
am very, very happy about that. I really missed this kid. Good
to have him back. And thanks, to K.C., for continually inspiring
me to do so with his AC stories. I finally couldn’t take
the creative charge they always give me anymore and I cracked!
And I hope it’s not going to be another seven years before
Shane’s stories continue…
And K.C.? This is the start. AC and WJ now online
(with the need still, of course, for ALL the AC stories to get
online, too (all 247 of them by now, right?)). Next…we’ve
got to get pages up for the rest of the ConTinuum gang. And finally…the
all-new ConTinuum web page! That’s still going to take some
time to get together, but this was the one thing really holding
me up for getting to it. So I’ll see what I can do about
getting to work on the Knightguard page I’ve had in mind
(consulting with Joel, of course) and we’ll see where it
goes from there. And then…Omniverse! AH ha ha ha! This is
my scheming face!
Okay, and there’s a LITTLE Forte for you,
too, at least…
We’ll start with the Gallery.
This link, too, opens a new window. First, because I’m tired
of doing links for every piece of new art I talk about. But second,
because it’s all much easier to look at—and for me
to discuss in order—as I’ve started a new “Newest
Additions” section at the top, just to make it easier to
figure out which stuff you probably HAVEN’T seen before.
This section will always reboot a few days after the most recent
‘Times issue, FYI, and will start over with the even…um…
latester art. So if you’re reading this late, my nice in-order
discussion here is just going to confuse you…
Let’s talk about new art! And CHEAP ART! I
really hit it with the cheap stuff this time, so there’s
a lot to look at. We start off, not so cheap, but not all that
costly either, with a pair of works from Kevin Miller that I talked
about on the board last time (as they came in just after last
issue’s update). Just had to point them out again. Wow!!
I love them both. That’s probably my favorite Dyna Girl
shot we have (and that’s saying a lot), and I totally love
the Nightsable (though I almost wish he’d kept up with his
original shot that he started, with her walking into a portal,
as it was looking really cool before he changed his mind). Then
we’ve got Nightsable and Dyna headshots from comics pro
Paul Abrams. Again…WOW. I know it’s kind of sad to
fall in love with your own character (we’ve all seen that
happen before somewhere, haven’t we?), but with the face
on that NS, I’m pretty close. That DG one was Aaron’s
birthday present, by the way. But let’s get to the cheap
art! Yeah! Check out the Forte 2000 “pogs” from Brit
artist David Golding! How fun are THOSE? And they only cost me
three bucks and change (two pounds sterling) apiece! At that price,
I just had to “collect ‘em all” and get all
eight characters! I’ve got the individual ones up, but also
put together a collage of all of ‘em if you want to see
them together. Great guy, this Golding. He’s currently doing
some art for hire for the BBC.
Got a trio from this guy I decided to try (hey,
you make your auctions cheap, and you don’t blatantly suck,
I will try them…) named Gabe Pena. Listening to Martin’s
request for more “beefcake” on the gallery, I wanted
to get some of the guys in, too, so I went with Max and Vortex,
in addition to the Nightsable. They’re pretty cool. I like
‘em…even if Nightsable looks slightly insane…
There are more dude shots on the way, by the way, Martin, you
manimist.
Oh, and the sad news…Mr. Eryck Webb is officially
on indefinite hiatus from art. He’s trying to focus more
on his design work and less on drawing, so no more auctions for
the foreseeable future. Hey, it’s not like I haven’t
gotten ENOUGH from him. :) It’s just sad because I was always
able to turn to him for cheap (and cool) character design work,
on demand. Had a few characters left I would have liked to see
him design for me. Ah, well. So, in addition to the Windjammer
stuff, I had to get a couple of last Forte shots from him. I know
how much he enjoys drawing both Nightsable and Tinker, so I thought
it’d be fun to see them doing some girl talk during a stakeout
with some coffee. For my final one from him, I decided to stick
with the stakeout theme, and get a shot I’d been thinking
about for a while…sort of a Forte 2000/Forge crossover.
I just wanted to see the two smokers from Forte in a shot together,
lighting up in the rain. So, Webb did me this very cool Seahawk/Nightshift
shot. A fitting last piece from him, I think. Just the kind of
storytelling art he does best, as opposed to everyone else’s
standard pinup poses. I’ll miss the stories his art tells.
Okay, the Gene Espy Dyna Girl shot? Long story.
In short, after six months of nothing from him (while he kept
putting up other auctions), I sent a note telling about my six
month rule. After a half a year, I’m tired of having to
worry about sending reminders and feeling like a pest, and at
that point, I’d rather just get a refund and call it off
for both our sakes. He, in turn, was kind of shocked at my request
(I’d been nothing but polite with my 60-day check-ins, so
he hadn’t know I was in any way annoyed), and a little pushed
out of shape, and said he’d prefer to just “complete
the agreed-upon transaction” (in other words, suggesting
I was breaching a contract by asking for my money back) and wanted
to move me up the list (how far DOWN the list was I after six
months?!) and get it done. I had also mentioned, in my six month
note, the bad spot that art buyers are in after all that time,
that artists can then tend to rush the art just to get the person
off their back (it’s happened to me before). He not only
guaranteed he’d come up with something I’d like, but
promised to throw in some prints of his existing art. Give the
man credit. I’m kind of embarrassed to say that his six
month mark came during a REALLY crappy weekend for me, so I was
much less diplomatic than is normal for me (how would you respond
if someone had been politely asking for status, and then all of
a sudden demanded a refund out of the blue?). He handled it in
a very business-like manner, got my art done (like, three weeks
later) and threw in some very big free prints as well, as promised.
The problem? The shot he came back with is…um…kind
of embarrassing (perhaps we should change the character’s
name to “Vagina Girl”). And really not that great,
as far as my tastes go. But he obviously put a lot of work into
it, and kept his word, and made good, so in appreciation of that,
I accepted and thanked him. And figured I might as well put it
up. Even if it probably makes Aaron cringe. Sorry, dude.
But then I had a LOT of fun with these cheapy ten-buck
figure shots from Jason Nantz. Great, clean line work, smooth,
really cool. Especially like the Tinker. Aces. And while the final
shot, the Seahawk/Nightsable one from Jean Sinclair, was not so
cheap…OH MY GOD!! LOOK at that thing! Wow! This guy’s
from Brazil, part of an art team duo, and a shot like that is
worth SO much more than what I paid for it. American hacks are
charging much more for so much less. Maybe he doesn’t understand
the exchange rate… Either way, LOVED what he did with that,
and I also loved that he inadvertently came up with a new Nightsable
combat maneuver I hadn’t thought of! Using teleportation
as missile deflection. Great idea! Way to use those experience
points… I’ll definitely be getting something else
from him in the future. Oh, sorry…I guess the final shot
is the David Enciso Dyna Santa one, but you already saw that on
the cover.
Oh, and back to Eryck Webb to close this out…
I’d also gotten some more non-Forte stuff along the way
from him—some of which I’ve had for some time and
hadn’t gotten around to putting up—and you can see
that stuff in the Eryck
Webb: Other gallery. Look for the “new” tags by
them. Skip the Seahawk/Nightshift…I just wanted to put that
up in the Forge gallery as well as the Forte one. But speaking
of Forge…okay, I WAS going to save this one until I got
the final Forge chapter done, but finally gave up and slapped
it up, since I’d already used parts of it on the main Forte
Universe page. Check out the full-color Forge team shot. Sweet!!
How bitchin’ cool does the new Max look in color, huh? You’ll
also, as you scroll down, find a new Paragons section. I’d
been having him do some designs for the new Paragon team members,
over time. Didn’t get to them all before he quit art (almost
did…just needed a couple more), so figured I’d at
least put up his Knightmare redesign (too Spawn?) and his designs
for Import, Helix, Diamond Fist and Blaze. Some really cool stuff.
And you’ll also notice a new Omniverse section, too, as
I put him to work on both Tag (thought a rethink was in order
for the (fingers crossed) relaunch) and Paradigm. I was planning
to get a Tag & Dream Girl duo shot from him (didn’t
have him redesign her because I liked what David Enciso did with
her so much), but missed my window. Oh, well. The ConTinuum section
just adds the new stuff you’ve already seen in the Windjammer
gallery.
And finally, Forte-wise, while I didn’t get to
finish up Forge or any new Forte 2000 continuity stuff, I did
manage to put the finishing touches on “Hotline
6: 9-1-1” this time around. Unlike the other Hotline
tales, this one is actual fiction. For reasons you’ll understand.
That will also be the case with Hotline 7, but we’ll finish
up that whole series with Hotline 8, which will be back to the
phone transcript format. Hope you enjoy this unexpected twist
in the ongoing tale of the Dyna Girl and Matt friendship. And,
of course, don’t dare miss Aaron’s
new F2K story this time around! He SO picked up the slack
while I was off ConTinuing…
And a note on Forte 2000 stories, by the way. Keep
in mind that when we add them, they kind of jump all over the
place, time-wise. So when you see a new one come up, you might
want to take a sec--just to orient yourself--and look at the Adventures
page and look where the story's at in the timeline. Just a helpful
tip.
Windjammer Musings
NOTE: If you have any plans
to re-read all the Windjammer stories, I’d go ahead and
just skip this section, as there will be spoilers within. Or,
if you just don’t want to hear me ramble. Warned, you have
been! MMMmm!
Now that I’m back into the world of Windjammer,
and have gone back and re-read all the stuff myself, just thought
I’d talk about the tales thus far a little bit. And what
I like and don’t like about them.
CHAPTERS ONE AND TWO
Um…they were okay. I remember, clearly, that
the first ConTinuum deadline had snuck up on me, and I felt like
I was forcing the first chapter. I really didn’t have a
feel for the character yet. Granted, I did like the setup. You
start right off with action (something notoriously missing for
later Windjammer stories), and the whole getting-out-of-jury-duty
thing was fun, setting the tone for the idea that this was a super-hero
with problems we could all relate to. I also like the whole TV
thing…where the TV picked up what was going on, and we cut
to different people in Windjammer’s life, reacting as they
helplessly watched (even some he doesn’t know are IN his
life yet…I did like being able to introduce both Nathan
Carthage and the castle guy, both of whom are big parts of the
total Windjammer story arc, but will have to wait some time to
truly take their place in the tales), which let us not only meet
them but see how they felt about him, too. The whole Planet Hollywood
idea was fun for me, just because, having lived in Phoenix, I’d
been that that PH a number of times. The first pair were fun,
and there was a lot of action, but still… They didn’t
quite feel right to me. I was forcing the characters to say and
do things. Probably because I didn’t know them well enough
yet for them to come to life. Of course, this is a problem with
TV shows and comics, too. You go back and read early issues or
watch a pilot episode, you tend to cringe a little, realizing
they don’t always ring true with what eventually comes to
be.
CHAPTER THREE
However, something happened with Chapter Three,
and it seemed to happen right out of the gate. I don’t know
WHAT happened for sure (maybe I was just in a better writing place
by that time), but the final chapter of the first trilogy suddenly
felt RIGHT. All of a sudden, I seemed to know who Windjammer was.
And he, and other characters, big and small, suddenly started
speaking and acting on their own. You all know what I’m
talking about, and what that feels like when it happens. It’s
the best feeling ever for a writer. You, like the readers, don’t
necessarily know what’s going to happen. Characters suddenly
do things you didn’t expect them too. I remember, when I
was just trying to get the chapter done, and Windjammer was chasing
Delight across the city, she suddenly flew into a mall (my regular
mall in Scottsdale when I lived there) and he followed. I remember
thinking, why the hell did she just do that? I was getting ready
to get to the final scene, and was well on my way, and she suddenly
screwed up everything! But she did it, and I let it happen, and
it turned into one of my favorite scenes in the series. It wasn’t
only a very fun chase, one that added a lot of comedy to the tale,
but it led to the big moment where Windjammer stands up at the
third floor railing and realizes that thousands of people below
are cheering him. It was his first moment of feeling like a real
hero. I even wrote it to a piece of music (the fanfare from “Forrest
Gump”). It was great! Plus all the stuff between him and
Delight totally defined their characters for me as well. By the
time they finally raced out of the mall, heading toward my final
scene, I was so damned happy that those crazy kids had gone in
there.
The final scene was the big collision in the sky
that led to the big kiss in the back seat of some guy’s
convertible. This was important for me. As you can read on my
intro on the “Chapters” page on the site, Windjammer
and Delight had started out as a couple of characters in an 8-page
sample script I wrote when I was trying to get comic work. I just
loved the idea of this whole hero/villain, Romeo/Juliet thing,
and the nice symbolism of them—like regular young people—ending
up making out in the back seat of a car. When coming up with a
ConTinuum character, I had thought about this Windjammer guy,
and his potential, and had chosen him as my hero for my city.
And he was just so tied to Delight from his beginnings in that
comic that I just had to bring her over, too. And for three chapters,
I’d been waiting to get to the big kiss scene that the characters
had originally been born for. By the time I got to it, I really
felt I knew them both, and I really liked how their flirty scene
came out, one that ended up setting up for bigger things with
her and him down the road. By the end of this chapter, I finally
felt like I knew the character, and his world. And I was ready
to go.
CHAPTER FOUR
Speaking of his world…Chapter Four was “Shane’s
World”, my first big-ass Windjammer chapter. There was a
reason for that title. I’d had the first story arc to throw
out a bunch of the people and situations in his life, but now
wanted to explore them more. We knew he had a roommate named Jerry
who wrote plays and knew he was Windjammer. We knew he knew some
deaf Mormon guy named Porter who apparently used to be a hero
for a little while. And we knew some stuff about Shane’s
life, but we hadn’t really gotten to see him LIVE his life,
as the first three chapters were so focused on plot. So I knew
the follow-up chapter needed to really flesh everything out and
fill the readers in. Really introduce them, properly, to “Shane’s
World”.
First I wanted to get into his non-Windjammer life
a little, so we started with him on the first day of a new semester,
showing his college student life. And we got to meet Jerry, through
Shane, this time, and experience their friendship and home life.
I also got to use his conversation with Jerry to follow up on
that promise made in the first story arc, which had ended with
Terrance Cross wanting to make Windjammer a star. Couldn’t
just leave THAT hanging too long. We found out the details, and
the offer made to Shane to fly him out to L.A. for the holidays
(which, by the way, was me setting up his excuse to be in L.A.
for the big ConTinuum game I was going to be running at Comic-Con…),
which nicely let me suck Jerry right into the trip (with his wanting
to be the one to write the screenplay for the proposed Windjammer
movie). I can’t recall, at the time, if I knew just how
big a part Jerry was going to be in that upcoming story, but this
was the scene that set that all up.
Porter. Porter Scott. Anthem. This was a touchy
area. I had always been in love with the idea of Windjammer having
a mentor. He was fatherless, you see, but I had this notion of
sort of a surrogate father—and a Mormon one, since I wanted
to make use of my Mormon knowledge (14 or less) from my experiences
in Phoenix with Emily and her family—who had had powers
himself…but very briefly. I had this whole backstory jotted
down…both Porter’s backstory, which then joined with
Windjammer’s, leading to Windjammer’s first real introduction
to the world (he was already getting well-known when the Planet
Hollywood thing went down. My first story was not actually HIS
first story…). So you had Porter. Got powers, decided to
try some heroing, briefly and in secret…he ended up a local
folk legend instead of real news. But he met Shane, and started
shepherding Shane along, teaching him—on several levels—what
it meant to be a hero. I don’t know why this was so important
to me, but I just loved the idea of this guy who got gifted with
amazing powers, just got started, and then lost them, and ended
up being a guide for a young guy who actually DID become all the
things the other guy could have been. And I wanted it to be a
guy who was okay with that. But, as I said…touchy area.
The idea of ConTinuum and its six heroes was that they were the
FIRST six heroes in the world. And here I was suddenly throwing
in someone who was, technically, the first actually super-hero.
I seem to recall K.C. wasn’t too thrilled with the idea,
for that very reason (and understandably). But I couldn’t
let it go, it had become such an important part of the overall
Windjammer story. So I tried, in the telling of the origin of
Anthem—which led to the origin of Windjammer—to get
the idea across that this was a man who COULD have been a hero.
Who did a little, was very, very briefly known, but then saw his
powers go away, right as his protégé hit the world
scene and erased any MEMORY of the first guy. That the Windjammer
appearance and subsequent happenings were so dramatic that they
captivated the world and made them so obsessed with this young
guy that he was all they could see. So I tried for that…and
hoped that I pulled it off without causing too many ConTinuum
world ruffles.
I loved writing Porter and his family. Just these
really great folks that served as the perfect big-family-that-Shane-never-had.
I had a blast getting to know Porter’s wife and all Porter’s
daughters, and the relationships they each had with Shane. One
of the things that was important to me with Windjammer was showing
that we are all the sum of the people that exert influence in
our lives. Maybe it’s our family, maybe it’s that
special teacher, maybe it’s your best friend. In Windjammer’s
case, the theme here would be “no dude is an island”.
This will become more important (way) down the road in the Windjammer
tale. We will see differences between him and others—others
with extraordinary gifts like he has—and how having voices
in his life like Porter and the Scott family, like Captain Bonilla,
like his mother, like Jerry, will prepare him for what’s
to come (there’s big stuff coming).
Really enjoyed getting some action in with all the
exposition, which I hope worked in flashback mode okay. Doing
so let me tell the whole origin much quicker than I otherwise
would have. It got the basic info across without me having to
go minute-by-minute. I also liked seeing him in his first Windjammer
outing, and how panicked he was and how clearly he had NO idea
what he was doing. That’s another thing I like writing about
Windjammer, too, showing a hero who’s still very new at
this and has to figure it all out as he goes, just like any of
us would. He pulled if off okay. And I got to tell the semi-tragic
tale of the man who could have been Anthem. I like Porter. He’s
a really good guy. A fitting father-Shane-never-had, I think.
And we had a couple of interludes, too. One in Siberia
(huh?) with the water girl named Baikal. Wish I had time to go
back and rewrite that whole scene (needs help), but I still had
fun with it, and with throwing in this girl who makes you go “What
the hell was SHE in the story for?”. Yes, you’ll see.
Eventually. I’m such a tease. It’ll all makes sense
when I reach the probable end of the whole Windjammer story. When
we’re all, like, 80. And perhaps even more confusing was
us cutting back to Delight, and what she went through. I liked
stepping into her life instead of just seeing her “onscreen”
with Windjammer, and getting in her head a little. But then more
than ME got in her head. What’s up with the weird vision
thing? Did she, like, go to the future? Or get a vision FROM the
future? And what the hell happened to Washington D.C.? And who
was the guy behind her that she never saw that signed her death
warrant? What happens to her in the years to come to lead to whatever
this is? We just don’t know! Well…I do. :D Just another
hint that my need to always think big reaches my Windjammer writing
as well…
CHAPTER FIVE
Another big one, and another one I’d been
itching to get to. First of all, the stories, again, needed some
action, and it came in the form of what I hope was kind of an
exciting and very movie-like armored car chase across the city.
No super-villains (got to be stingy with those in a world that
just got its first supers, after all), just some bad guys with
guns. Pretty tense scene that put Windjammer to the test, and
made him kind of question if he was doing all this right. But
I let Captain Bonilla give him a talking-to and let him know that
he was, and why. And I got to use the fly-by over the gathered
college crowd to give us another feel of what it’s like
to be a famous and cheered super-guy.
And then I went and made a big writing no-no.
It is just NOT a good thing to suddenly introduce
a major character in flashback. But I did it. I felt I had to.
I was on a schedule here, needing to get to the big Hollywood
thing, and I didn’t feel I had time to do this properly.
But for reasons that were going to come up later in this chapter,
I needed for Shane to have a girlfriend. And I couldn’t
just throw ANY girl in the mix. If she was dating my boy, it had
to be someone that I liked, and that, hopefully, the readers would
like. So as I waded into this flashback, the tale of how Shane
and Renee met started coming together for me. And I thought it
was kind of fun. I wanted her to be very different from him, personality-wise,
and someone that wasn’t all that impressed with him right
off. I figured a guy like Shane had girls checking him out all
the time (dashing, good-looking kid that he is), so I like the
idea that he ran into a girl that clearly didn’t seem to
care for him. Which would make him not care for HER very much.
And that’s the point where, of course, you need to force
these two people to spend time together, which I did with their
both being cast in the same play (I also liked being able to explore
what the life of a drama major is like, too, which helped me understand
Shane more. Bonus). Come on, this is classic Hollywood stuff.
Two oil-and-water people bicker a little, dislike each other,
then, when an on-stage kiss has to happen, they suddenly realize
they dig each other. Fun moment. So I managed to get them together,
and get them happy. Which made Shane’s life happy. It sure
would be terrible if something come along and screwed all that
up, wouldn’t it? Heh.
Delight returns.
I knew she was coming back, and I knew Shane was
going to have to be seeing her in L.A. later in the Hollywood
story, and the whole reason for Renee was to 1) complicate the
hell of things for Shane and 2) put Shane in a position of decision,
which, I figured out early on, was always fun. Indecision is kind
of at the core of his personality, self-doubting and self-torturing
guy that he is. And also…if you had this totally hot blonde
that had powers like you digging you major, where would the downside
be? That’s where Renee came in. Shane is a very good guy,
very loyal, wanting to do the right thing. Of course he’d
never think of sneaking around on the girl he was with. But what
if the other girl filled so many needs in his life and made him
feel less alone in all the weirdness he was going through? And
what, additionally, if the girl suddenly became a lot more than
just a hottie he smooched? What if he, and the audience, actually
cared about her? A lot?
So I set out the make both parties do so…and
I also set out, I’ll admit, to make people cry. There is
NO greater victory than that as a writer. This chapter was meant
to rip people up. And I knew just how to do it, too. So she suddenly
appeared again, and I immediately liked how emotionally confusing
the moment was. The last time they’d seen each other, it
was flirty and fun. And they had a connection. And she tried to
pick up right where that left off with him, planting the big kiss
on him again and assuming he’d be very happy about it. But
many things had changed for Shane since then, and that started
becoming evident to her. There was tension now. But she kept trying
to seduce him (confident in her skills at that), and when he rejected
her, her personality REALLY came out, and she nutted on him and
lashed out. This was really in character for her…I could
really feel her reaction, and her interpretations of his actions,
using them to feed her own insecurities and fears and crap self-image.
No fun smoochies this time. They got in a fight (the powerless
kind), and she stormed off.
But he found her in that tunnel, crying. Vulnerable.
Scared. All those parts of her she’d been hiding from him
with her sexy smile and skimpy costume. And we got to get to the
truth…that she hadn’t come to just “hook up”.
She was scared (mostly from what happened to her last chapter),
she was alone, and she needed him. Badly. I loved turning things
from sexy flirty to volcanic outburst to raw emotional intimacy.
And then came the backstory. The tale of the little girl with
the doomed self-image and the loser junkie mother who had finally
had a good day in her life, thanks to a prize at school. Who rushed
home to tell her mother. Who found her mother on the bed, not
moving, and who knew, keep down, what had happened, but tried
to pretend it away like children to. Who tried to make macaroni
and cheese dinner to make it all go away. And then who finally
had to face the reality that her mother was dead, and there was
no one to turn to, and she was all alone…and didn’t
get found in there until three days later. WOW I love happy stories,
don’t you? That was tough to write! It hurt! And as I found
out, it hurt the people who read it, too. A lot. Sweet!!
THAT cemented it for him…his suddenly desperate
feelings for her, his need to take care of her, to be her hero
when no one else in the world had ever been. They connected in
that very, very emotional scene (I needed a nap AND a drink after
writing it…), and it led to him telling her about the offer
to come to L.A. He hadn’t truly made up his mind yet…he
still felt he had a choice. But now with her begging him to—and
the weird dreams he was getting that seemed to be drawing him
there (and all the ConTinuum heroes were getting them…thanks
to pre-Con-game intros they were getting via e-mail from me…)—he
felt he had no choice, and for better or worse (and “worse”
is what he was feeling, thinking of Renee, thinking of how much
he just wanted to keep hold of his normal life, thinking that
these dreams meant that he might be crazy), he made his decision.
Windjammer was going to Hollywood.
I liked this chapter! I don’t think I’d
ever written anything like it before, something that emotional
and heavy. It was a big stretch for me, me testing my writing
limits, trying new territory. I really felt good about it. About
the Jam and Delight stuff, yes, but also about the interlude that
ended it, another teaser of things to come. I’d have to
say that that closing interlude, brief as it was, ended up being
one of my favorite things I’d ever written. Not sure why.
It just felt good. It was another of those moments when I’d
just had a simple plan—Nathan Carthage shows up again (to
remind us that he’s comin’, somehow, and I hadn’t
forgotten about him), gets a costume that a young costume-maker
put together for him, and then blows her up, to show what a scary
and heartless bastard he is. Started out simple…but then
I started writing. And suddenly, this costuming girl came to life.
She was a sweet and fun and really likeable girl. I loved what
she’d done with her life, and was very interested in her
life. And I came to realize I was going to be pretty pissed off
when this prick killed her. And I hoped readers would feel the
same (and he killed the cat, too! Jerk!). I don’t necessarily
like a lot of the stuff I write. I tend to feel that it’s
fine for all of us to share, for fan fiction purposes, but would
never make it to any kind of publication. Something about this
bit made me go, wow…I could picture that being in a book.
Very satisfying chapter all around.
CHAPTER SIX
A thankfully short chapter from me after a couple
of biggies. For a reason. The deadline was on me again. Chapters
six and seven were originally supposed to be one big chapter,
but I knew I didn’t have the time. So I decided to reimagine
it a little and turn it into a prologue for the big story arc
to come. A story called “Shane and Jerry’s Excellent
Adventure”. The Hollywood story.
Windjammer has themes. One of them is choice versus
destiny, whether we’re drawn into what happens in our lives
or if we can guide events with our own choices, good or bad. Another
one is fame. We all—us ConTinuum scribes—had different
things we wanted to focus on with our characters and cities and
such. Granted, all of the heroes were going to end up pretty famous
(being the first supers in the world will make that happen). But
I wanted to explore, with Shane, more than fame. I wanted to explore
CELEBRITY. Not just the ooh and ahh and the cheers of the fans
who think you’re swell for saving that busload of nuns.
I mean serious celebrity, the paparazzi hounding you kind, the
everyone-wanting-a-piece-of-you kind, the making-you-a-millionaire
kind. All the temptations—the money, the powers, the women,
the adoration. These are things that would come with being one
of the world’s first supers. These are also things that
so many people lay awake at night dreaming about. But not Shane.
Shane was a simple guy. A good guy. A moral guy. Which is what
made the idea all the more fun. Could even the purest of heart
resist the whole world being handed to them on a platter?
I wanted to do a few things here. First and foremost,
I really, really wanted to take the readers on a journey, and
make them feel like they, themselves, were being led into this
unimaginable world of Hollywood celebrity. To feel like they,
too, were being wooed, and brought into the secret place that
they could only read about in People Magazine and see on cheesy
celeb programs. I wanted to make them feel like they were really
there, experiencing it all, being seduced, too. I prepared myself
to make it seem (I hoped) as real as possible to them. I also
wanted to be able to show all the temptations from a couple of
different angles. By bringing Jerry into this, and making him
a commodity as well, though his writing, I was able to hit this
a couple of ways. Jerry’s a great guy, don’t get me
wrong…but he’s also not Shane. Temptations that wouldn’t
work on Shane could really work on him. I wanted to lead them
both down the path, in their own separate ways. Jerry could see
his dream of being a powerful Hollywood writer come into being,
and experience the power, the draw of money, the availability
(finally in his life) of unnaturally beautiful women. Shane, on
the other hand, still would have temptations…but his would
be different. His would be feelings of responsibility, the world’s
need for him. And also, in Delight, his need for someone who could
understand him (Renee still doesn’t even know about the
Windjammer stuff), and his need to take care of this girl that
he became so dramatically connected to. And I also wanted to make
this L.A. tale a very powerful test for the friendship of Shane
and Jerry—pals since they were kids, ones that seemingly
nothing could come between. Could their friendship survive what
lay ahead? I wanted to know.
Chapter Six ended up great for me because I got
to finally get Renee out of flashback and into real time, with
her showing up and saying good-bye to Shane before his trip (the
origins of which he’d had to fib to her about). I got to
show some of their really nice relationship, and how much he cared
about her, and, best part, have her suddenly go back on her own
boundaries and call him her boyfriend at the worst possible time.
I got to make Shane nauseous with guilt. Heh. Love triangles kick
ass. But I also got to finally get his Mom, Lana, into the story
properly. I like Lana! She’s a really cool lady. I got to
show her relationship with her miracle-of-nature son, and let
her express all her fears about him going to Hollywood (as she’d
been there herself before he was born, former soap actress and
all). And have a tender mother/son moment with him. It felt good
to finally “meet” her.
And the airport scene was the perfect capper to
this intro, the first taste of what was to come. The jet. The
doting Cross employees treating the boys like royalty. The first-class
treatment. It was the promise that I planned to keep in the chapters
to come, the beginning of a long and extraordinary journey into
the mystical realm called Hollywood.
CHAPTER SEVEN
And I liked how the arrival happened. The limo.
The driving down the PCH to Malibu. The reactions of the guys
to being in the middle of all that. The private beach house (and
fancy cars) that were all theirs for the duration. I loved putting
in all the little details of the house, and the amenities available
to them. It was all like a dream come true, and the boys were
definitely down the rabbit hole. I tried to make it feel as real
as I could, make the readers feel like real Hollywood insiders
themselves, like this is how it really might happen if it happened
to them. I liked introducing Ash Gibson, too, Terrance Cross’s
cute and spunky (and level-headed) personal assistant, a good
guide for our boys. She was a fun character to come up with, and
I had all kinds of questions about her…where she’d
come from, how a girl her age (not that much older than the guys)
rose to such a position, what about her made her handle it all
so well. Had a good time letting those three have a nice talk.
And a better time after she left, and the guys were alone, and
it really all sunk in…where they were, what was happening,
and what may lie ahead in the two weeks to follow.
I loved the scene at Terrance Cross’s house,
too. Here was another character that was just serving his purposes
in the first story arc, but suddenly, he came to life for me,
too. What a great guy! I felt like I was being invited into his
famous home myself. I liked how he’d cleared out the house
so Windjammer and Jerry could relax and be there in secret without
worrying, and loved how these three guys all had buffet-style
dinner together (since the chef wasn’t allowed to be there).
Loved the scene in the “stogie room”, with Terrance
telling what felt like authentic Hollywood stories to me. I think
he came off pretty genuine, a guy who’s part of the whole
movie business but deep down is still just an average Joe at heart.
I liked his speech to Shane, which subtly pushed him further into
the idea that this wasn’t something he could avoid. Windjammer
WAS famous now, and there was no turning back, and he now had
to just hang on and let it happen. With Terrance’s help,
of course. I felt like the descent into Tinseltown had gotten
off to the right start. Not in Kansas anymore. No sir. The seduction
had begun.
CHAPTER EIGHT
Wanted to start right off showing a little passage
of time, what life was like for the guys on their trip, and how
much things had already changed. Did so with the opening scene
with Jerry talking (from the Ferrari) to the hottie rich co-eds
on their horses. Days ago, average college dude who couldn’t
get a date. Now, turning down party invites from amazing girls
that think he’s the bomb. Liked that scene, how it showed
Jerry starting to change, and showing him still really appreciating
what was happened. Liked the Peter Gabriel “Big Time”
touch as well.
Ah, but the Planet Hollywood appearance. That’s
what I really wanted to get to. A scene designed to be Windjammer’s
first taste of SERIOUS celebrity. And with serious celebrities,
no less. Do have ANY idea how much fun I had writing dialogue
for the likes of Arnold, Stallone, Bruce Willis and the like (and
Sam Jackson! Sweet!)? I had such a blast! I like the press reaction,
too, them going out of their minds when Terrance suddenly brings
WJ out. I could totally imagine them doing that. And the visual
of crowds gathering by the hundreds outside as word spread, trying
to get a glimpse of this miracle of nature. This was his baptism
into fame. I hope it felt genuine. I really enjoyed using Bruce
Willis, having him casually asking WJ if he was planning to move
to L.A., putting that panic in Shane’s mind (is that what
he was being groomed for?). My hope is that it—and the celeb
usage—came off believable and not just cheesy. I tried.
Particularly with the whole Demi/Maria/Arnold moment, which cracked
me up. There was no turning back, now. Terrance had presented
him to the world. And the world kind of owned him now, whether
he liked it or not.
And more moving forward on the Jerry seduction.
Enter Connie, from KnightCross’s script department, an impossibly
hot blonde that, for some reason, was all over HIM. Loved using
Spago, because like any wannabe-film-business-guy, I’d heard
stories about the place for years and always dreamed of a big
lunch meeting there. Jerry got to live it for me. I did my research
on the place, too…right down to the menu (God bless the
internet). We learned, here, that it wasn’t just Windjammer
that was big news. The way Terrance was being so secretive about
his big project, and the unknown young writer he was using for
it, people started talking. Jerry’s name, we found out here,
was floating all over town, much to Jerry’s surprise and
amazement. Jerry Lowell had officially arrived, folks…and
it looked like, more than that, he had a really hot babe in his
corner as one of the perks. A fact that was cemented at the party
that night in the Hills, where he was having what I thought was
a really fun conversation with Quentin Tarantino. LOVED writing
that. I thought it was pretty “in character” for the
guy. I tried to hear his voice and see his body language as I
was writing it. Just another “definitely not in Phoenix
anymore” moment for Jerry, and one I liked. And one with
an even happier ending. Hmmm. What was this Connie up to?
While the final scene with Shane alone at the house
went on too long, it was necessary. He’d gone out after
the Planet Hollywood thing and actually found the café
from his dreams, and now knew the dreams were real. He was scared
to death. Of that, and of what was happening to his life, as he
sat there looking over the starting proposal from Terrance that
was going to erase his old life and make him a world-wide (and
very rich) superstar. Alone and afraid, confused and tormented,
he kept looking at the phone number Delight had given him back
in Phoenix. He’d been putting off calling her. She was another
big decision he had to make. But lost as he was, he suddenly needed
her…and his doubts, his guilt about Renee, all of it, finally
collapsed. And he called her. And the chapter ended with those
words—“And she was there twenty minutes later.”—that
hung in the air…for seven years.
CHAPTER NINE
Well, you’ll just have to read this one yourself.
But it was a long time coming. As I said, I’d actually started
it and left it on the hard drive, years ago. But finally, somehow
pulling the right amount of inspiration, I jumped back into this
story, and into his world. And I gotta tell you…it felt
great. The “Hollywood Nights” chapter has been in
my head for so long, it was great to get it out. And it was extra
fun to write because it HAS been so long…this was all still
taking place back in ’96, and if you check your calendar,
you’ll find that was a decade ago. I had to hit the net
and do a lot of research from the “era” (how old does
it make you feel that ’96 is an “era”?), of
the places we visit in the chapter, of music used, of what certain
celebs were doing at the time, right down to trying to figure
out who played at the L.A. party for Dick Clark’s Rockin’
New Year’s Eve that year (which, it turned out, was a BITCH
to do) and what colors the wall of the Viper Room were before
the renovation that took place AFTER ‘96. But I loved it.
I really enjoy that part of writing. So not just hours of writing,
but hours of research, went into this (much of which you probably
won’t even notice, but I needed it to be as authentic as
possible. Yes, I actually tracked down Michael Douglas’s
home in Brentwood, and got a satellite view of it). It was worth
it. Very satisfying getting something off my to-do list that’s
been there so long—not only writing this, but getting the
other stories all edited and up on the site, a site that is now,
finally, complete and ready for more. And there IS more. I have
a pretty detailed breakdown of the whole Windjammer “saga”,
and there are things I can’t wait to get to. You’ll
start getting more hints of it as we go along, and all the pieces
will finally start fitting nicely together. BIG stuff coming.
And the first of the big stuff, of course, is the next chapter:
Chapter Ten: “Burn, Hollywood, Burn”, the chapter
that takes place during the events of the Con game, which means
I get to write all the other ConTinuum heroes. Which also means
that I have to go back, after all this time, and re-read the other
ConTinuum stories so I have those characters down. Poor me. Hey,
that sounds like something of an excuse to get to putting those
other stories up on their own sites on the web while I’m
doing it… Hmm…
I hope this is the beginning of a proper return
to Windjammer, and to my place in the ConTinuum universe (so I
can try to catch up with K.C.!). And, I hope, the first step toward
getting that whole ConTinuum site up and going. Out of the ‘Times,
onto the web, I say! Like to be able to share this stuff with
a lot more people. Hey, I know my one fan in the United Arab Emirates
(yes, I actually got Windjammer fan mail a few years ago! Wow!)
will be down with that.
Next Time...On "The 'F' Word"...
No promises. We’ll just see how it goes. I
just started making my New Year’s Resolution list, though
(I haven’t done that in about three years), and there’s
a lot of ‘Times and Forte-type stuff on it. So I’m
hoping to make this a productive year. Be nice to start of the
first CTO issue of ’07 with some good stuff. We’ll
see where the creative wind takes me. See you then, and Meeeeeery
Christmas!
Michael O’Connell
Forte Lover (but with a ConTinuum mistress)
